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"Micaella" opens with ethereal string machines balancing a nagging acid leitmotiv. "Alice" sees a sad synth melody comes in as if it was trying to fill an emotional void, but with missing notes. On "Laura" Martelli keeps on playing with the potential of abstraction but with rap samples. "Sofia" gives a particularly striking example of this weird game he likes to play as Biggie Smalls's words get progressively eviscerated from their meaning.
RECOMMENDED !
A1 - Micaela
A2 - Alice
B1 - Laura
B2 - Sofia